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Bill's Trip to North Carolina  Bluegrass Roots 


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Recording in Nashville

On January 31, 2001 Rob and I drove to the Gene Breeden Studios in the United Artists Tower in Nashville, Tennessee.   I recorded my first Nashville CD-ROM. Rob says this Bluegrass Collectors item should be available on the website by February 20, 2001. (recordings)  Many thanks to my friend Dallas Smith for setting the entire recording session up.   We had over 250 years of Bluegrass Experience in the studio.


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Bill in the studio           Dallas Smith & Friends

Special thanks to the wonderful bluegrass musicians who played with me!

Kenny Baker-fiddle
Josh Graves-dobro
Joe Pointer-bass
Larry Perkins -banjo
Doug Mounts-guitar




BILL IN NASHVILLE 

 
Please click on the small picture to get a larger one 

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My friend Josh the best Dobro player ever! Kenny, Doug, Larry, Josh, Bill, Joe, & Rob   Our Sound Guys are good! This is fun!  
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Gene Breeden Studio Bill and Dallas Smith  Working out a few notes Bill and Joe Pointer

Doug Mounts playing Rob's Martin-SE

Station Inn Nashville, TN 1/31/2001
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Gene Breeden Studio is in the United Artists Tower   Inside the studio, these are nice people

Of course I had to visit the  Grand Old Opera

Inside the Ryman
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The Bronze sculptures at the Ryman I sang a song on stage but I was just a visitor-no audience Dallas and Rob and I   I had to have my picture taken at Opera
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Outside the remodeled Ryman After the Opera you go to Tootsie's The Station Inn Bluegrass in Nashville I wish we had time to perform here at night

        On the Road with Bill Jorgenson

Discovering the Roots of Bluegrass

Our October trip to Bluegrass Country came about though a chance meeting on the Internet, when Wayne Fetherbay, a talented bluegrass musician and Internet Guru of unusual music midis invited us to visit him in Morganton, North Carolina. As the uneventful flight left Milwaukee and arrived in Greensboro, North Carolina we breathed a sigh of relief. More relief quickly followed when the instruments arrived safely in one piece. I guess those stickers with the American Flag and ‘Bluegrass Pickers support the Airlines’ helped.

Driving through the foothills of North Carolina to Wayne’s comfortable home in Morganton, a town of about 17,000; we were treated to the deep blue sky of Carolina. Wayne chatted about the history of the area and warned us that everyone would give us the same answer if asked do you play an instrument? "Oh, I play a little, they would say," and then pick the heck out of a song.

Saturday was a wonderful day of Bluegrass and history. It started with a visit to the COOK SHACK in Union Grove, North Carolina

A little general store in the Blue Ridge Mountains

(home of the oldest continuous bluegrass festival in the world). This small and cramped little store with its wood "liars" stove is one of the most warm and inviting places I have ever visited. The sign over the door says it all, "Groceries, cafe, guns, hunting licenses and ammo!" Pal makes breakfast on a one-griddle stove while you fill your eyes with the paraphernalia of years and years of musical artifacts that decorate the walls. The entire rear of the store is dedicated to music and the Saturday Bluegrass Jam. The sound system is always on as musicians’ wander in to have breakfast and sit a spell before breaking out their instruments. The Bluegrass talent is out of this world. Pal and Myles Ireland, longtime owners of the store, have been singing together since grade school, have a wonderful blend together, and sing great western music. Myles is a very talented musician. No space is wasted in the small store. The shelves are full of goods and the walls full of pictures of music icons. And in the back section of the store is the Saturday Bluegrass Jam. Once they got used to Bill’s funny northern accent they soon found they liked this bluegrass musician from the North. One song, Two Little Girls in Blue got Pal out of her kitchen, she said, "You go way back, first generation, Bill. I haven’t heard that song in years." Pal gave us a CD of her fine singing and we left Bill’s new CD (listen on line at http://www.bjorgensonbluegrass.com) behind along with a couple of signed Jorgenson bumper stickers to help adorn the walls of the general store. If you are EVER in Union Grove the Cook Shack is a MUST stop for all bluegrass pickers. What a wonderful old store filled with good music and good friends.

After lunch it was back to Morganton and time to visit the Drexel, NC Barbershop. The Barbershop is really just a front for a large bluegrass jam that fills the back of the store and spills out to the hair cutting area. Wonderful mandolin playing filled the air as old-timer Herb Lambert showed the youngsters how to do it. Drexel, NC is also the home of the famous Drexel Furniture Company. All these fellows "play a little bit". Traditional bluegrass and new tunes traded as the North meet the South that afternoon. I didn’t know there were 16 versus to Knoxville Girl. In the evening it was time to revisit with Charlie Waller and the Country Gentlemen. Bill had played with them two years ago at Manitowish Waters Wisconsin. The show was great. Charlie is slowed up a bit with a stroke he suffered last year but the bluegrass music and style were up to snuff.

Sunday Wayne invited a few of his friends ‘who could play a little’ over to his house for a cookout and Bluegrass Jam. Curtis Southall, a fine southern gentlemen who can play any stringed instrument and about any style of music was a special new friend to Bill and I. Banjo, bass, guitar, mandolin players showed up. We even got Wayne going with harmonica playing.

The next day it was time for travel and a history lesson. We learned that the song Frankie and Johnny came from Morganton and that she, Frankie (Francis?) Silvers (correct spelling Silver), was the only woman ever hanged in North Carolina. We drove past the old Burke County, NC courthouse and guessed which tree had been used. It gives the song new meaning when you here the background.

We got Wayne going on the local bluegrass history and I was dumfounded to find out that the song Tom Dooley (Dula is the correct spelling) came from this region and is indeed buried just outside of Morganton. Tom was a ladies man for sure and met his end in North Carolina. Coming from a folk background I hung on every word of the story.

As we headed up the mountainside in Wayne’s 4-wheel drive truck the paved road was left far behind. We passed just south of Pilot Mountain where Andy Griffith was born. Here were one-lane roads and bridges, rushing mountain streams and small one-room general stores. "Moonshiners would never be found in these hills," Wayne exclaimed.

 

I happened to see a sign that said Brown Mountain off road trail system "Turn here! I cried. "Is this the Brown Mountain of the song? The Brown Mountain Lights? Wayne chuckled "We got it all here in North Carolina."

The legend is that a southern planter got lost in the wild lands and that a trusty old slave took a lantern and searched for him all over the mountain. And while they’re both long gone the spirit appears to      
searching and
the old lantern still shines its light.

Local authorities have a number of theories but the lights still appear and there are even turnouts in the road where you can park at night to watch the lights – or engage in other activities.

There is both a folk and a bluegrass version of the song. It’s great to listen too but takes talented musicians to perform properly.

Bbback through the mountains we saw where a flood had devastated the entire town of had devastated the entire town of Mortimer in 1928 and then again in 1940. Today only an old boiler with its cement fastenings remained. We continued up the mountains traveling higher and higher. Beautiful old one-lane bridges traversed rushing mountain streams.

       
O
n to Grandfather Mountain where you can hike up to a suspension bridge some 6,000 feet up to look down upon the Blue Ridge Mountains. Mighty pretty I might say. The air even gets a little thin in these parts.

Here is where Scotty and Lulabelle Wiseman, Doc and Merle Watson, Raymond Fairchild, Jim Buchanan, the Crow brothers and on and on call home.

Looking down on the fall colors of the mountains you could see where the Roots of Bluegrass Lay.


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